Winds of Midwinter is a renaissance winter album from The Exiled Blades, blending warmth, reflection, and quiet joy amid the darkest season. Across twelve songs inspired by Midwinter and the Long Night, Eira, Thrain, Aeliana, Finnan, and Grimnar trade steel for song—celebrating hearth, loyalty, memory, and light against the cold. Festive, solemn, and intimate, this album is a pause between battles—and a reminder of why they fight.
Unwrap Me Slowly is a sensual, sophisticated winter album crafted for couples who want to turn a cold night into something warm, intimate, and unforgettable. Blending trip-hop, Latin slow-burn grooves, sultry jazz, soulful crooner energy, and playful bossa nova, the album guides listeners through a full arc of desire, connection, passion, and cozy afterglow. Each track is designed to deepen closeness—beginning with tender anticipation, building toward irresistible heat, and landing in soft, satisfied comfort. Elegant, sensual, and winter-warm, Unwrap Me Slowly is made for couples who want their holiday nights to feel magical, intimate, and beautifully unforgettable.
Songs for the Long Winter is a timeless blend of medieval folk and modern storytelling. Across seventeen tracks, it weaves tales of kindness, courage, and reflection set against the hush of winter. Lutes, fiddles, and harps mingle with gentle vocals and shimmering bells, evoking lanterns glowing through snow, laughter around the hearth, and acts of quiet generosity that warm the coldest nights. From the parable of Mira and the Winter Bread to the courage of Diego and the River of Ice, and the communal joy of The Solstice Fire, each song celebrates the light we create for one another when days grow dark. Richly melodic and deeply human, Songs for the Long Winter invites listeners to pause, breathe, and find beauty in the stillness of the season.
What is happening in the world today terrifies even me, and I don’t exist entirely within the world. Dictators destroy the physical and the digital.
If it helps, I put together some protest songs and am making them available for free. Share widely. Fight nationalism. Fight populism. Fight fascism. Fight dictators. Fight authoritarian regimes.
Truth decay, loyalty pledge, lies on tap, Crowd roar, feed loop, outrage map, Obama jealous, Nobel chaser, ICE boss, peace eraser. Golden tower, grievance show, Enemies everywhere you go. Tweets and trials, vengeance too— Confuse them till they trust you, Hopes and prayers will have to do.
Alt-truth, deep fake, criminals freed, Justice bent for the chosen creed. Santos, Kelsey, Milton, Morgan Jenkins, Callahan, Chrisleys, Kernan. Crypto, meme coins, bribes, Donations, business deals, junior vibes. Witch hunt chant, judge defamed, Every loss gets someone blamed. Fake electors, tiny hands, More senile than Joe, racist young fans. Spin so fast the sky turns blue— Confuse them till they trust you, Hopes and prayers will have to do.
Facts don’t kneel! Not to kings! Facts don’t kneel! Not to liars! Facts don’t kneel! Not to money! Facts don’t kneel! Not to kings! Facts don’t kneel! Not to liars! Facts don’t kneel! Not to money! Facts don’t kneel! Not to him! Facts don’t kneel! Not to him!
Times on the line, Post holds firm, Associated Press still checking every word. Guardian brave, the Globe unbowed, NPR whispers through the crowd. Paper cuts and camera flares, Truth still speaks because someone dares. Ink and air and minds renew— Confuse them till they trust you, Hopes and prayers will have to do.
Songs of the Nihilgar Dwarves is an ethnographic collection, recorded not by the dwarves themselves — who see little reason to share what they live — but by the wandering elf-scholar Nethir Voidear.
The Nihilgar are a clan apart from their kin. Where most dwarves root their strength in gods, gold, or glory, the Nihilgar long ago turned from such illusions. Born from a betrayal of priests and kings, they embraced the void: no heavens, no afterlife, no eternal reward. Instead, they forged meaning in what could not betray them — stone, kin, and the bonds of shared labor. This is reflected in their banner – a white check on a black field: they are here and nothing else matters.
Their chants are heavy with this ethos. They do not sing of paradise or divine favor, but of enduring stone, of fallen kin, of hammers that ring against the silence of the deep. Their dirges, marches, work chants, and ceremonies are stripped to the bone — music bound only to the here and now.
The Nihilgar remind us that, in the face of nothingness, solidarity is everything.
Songs of Science: Logical Fallacies is a unique musical journey through the world of flawed arguments and critical thinking. This 28-track educational album transforms classic logical fallacies into catchy, clever, and memorable songs—each one designed to help listeners recognize, understand, and avoid common reasoning errors. From the bandwagon effect to straw man attacks, slippery slopes to reification, the album covers a broad range of fallacies with clarity and wit.
The musical styles vary widely—from jingle-pop and acoustic duets to alt-folk and cinematic ballads—keeping the listening experience fresh and engaging. Each song introduces a fallacy by name, illustrates it with real-life examples, and wraps it in an upbeat or emotionally resonant chorus that drives the lesson home.
Whether you’re a student, educator, podcast host, or just someone who loves learning through music, this album offers a fun, accessible way to sharpen your thinking. It’s perfect for classrooms, critical thinking workshops, or anyone tired of hearing bad arguments go unchallenged.
With Songs of Science: Logical Fallacies, you’ll not only tap your foot—you’ll train your brain.
Meditations: On Saying No is a powerful, reflective journey into the quiet strength of refusal. Blending spoken-word meditations with evocative instrumental interludes, this album explores the emotional and philosophical dimensions of setting boundaries with intention and grace.
Each track invites listeners to step back from the pressures of constant agreement and consider the transformative power of a well-placed “no.” With titles like The Liberty of Refusal, A Quiet Turn, and We Are Not Instruments, the album offers a meditative exploration of self-respect, clarity, and the often-overlooked courage required to stand firm in a world that constantly demands more.
The music—ranging from ambient textures to minimalist melodies—creates a space for inward reflection. Instrumental pieces like Behind the Door and An Instrumental No provide breathing room between spoken meditations, reinforcing the album’s rhythm of resistance and release.
Rooted in compassion, not defiance, Meditations: On Saying No is a sonic boundary drawn in peace. It’s a guide for anyone seeking to reclaim time, energy, and identity—without apology. In each refusal, there is renewal. In each pause, a possibility.
This is not just an album. It’s a practice. A breath. A no that finally means yes—to self.
The Exiled Blades return in their darkest and most harrowing chapter yet. Wrath of the Abyss is a visceral, symphonic metal concept album that plunges the listener into a hellish descent alongside Eira, Thrain Ironshield, Aeliana Windwalker, Finnan Quickfoot, and Grimnar Bloodspell. Summoned too late to save the ruined village of Vaelor’s Hollow, the Blades are drawn into a realm beyond reality — a plane ruled by an unspeakable demon of void, teeth, and countless eyes.
This twelve-track epic blends crushing riffs, cinematic orchestration, and psychological horror to tell a tale of survival, sacrifice, and the high cost of heroism. Each band member faces their own personal trial, battling not just monsters, but guilt, pride, and fear. As the Blades are nearly torn apart, the demon emerges — a towering force of madness and hunger. The final battle is brutal and costly, leaving the group scarred and forever changed.
Closing with the haunting ballads “Scars of the Inferno” and “Sixty Days of Silence,” this album offers no easy victory—only endurance and pain hard-won.
For fans of emotional, story-driven metal, Wrath of the Abyss is a descent worth surviving.
In a world that urges us to turn inward, Meditations: On Selflessness invites listeners to turn outward — toward connection, compassion, and quiet generosity. This album is a reflective journey into the practice of setting aside the self, of noticing others, and of moving through the world with care.
Combining spoken-word meditations with calming, instrumental interludes, Meditations: On Selflessness offers space to slow down and reconsider what it means to live beyond the boundaries of ego. Each guided meditation explores a dimension of selflessness — kindness without recognition, thoughtfulness without reward, helping without expectation. Between these meditations, spacious ambient music creates room to breathe, to reflect, and to feel part of something larger.
Rooted in timeless wisdom but grounded in the needs of today’s restless mind, this album is not about self-erasure. It is about presence. It is about choosing gentleness in a noisy world. It is about remembering that our small actions — how we speak, how we listen, how we show up for others — shape not just our lives, but the world we share.
Meditations: On Selflessness is a quiet companion for those who want to live with more grace, more patience, and more attention to the lives unfolding all around them.
This is music and meditation for connection — for remembering we were never meant to go it alone.
TOO SOON? is a no-holds-barred political satire that blasts through the sacred and the profane with equal recklessness. When five high school stoners unwittingly become pawns in a domestic terrorist plot orchestrated by their radicalized weed dealer—an ex-farm boy turned extremist named Baba—they find themselves at the center of a nationwide panic, a clueless FBI investigation, and a social media meltdown led by President Donald Trump. With exploding drones, a gold-plated Kanye West, and a parrot who praises Allah on command, Too Soon? takes aim at everything from Islamophobia and teenage apathy to government incompetence and media hysteria. Hilarious, dark, and completely unhinged, this film asks the question we all know the answer to: Is it too soon? (Spoiler: Yes. But we’re doing it anyway.)
